White Center Now: The blog about White Center

This is going to be an amazing show. Thee Emergency are bringing some special guests that can not be named. It is going to be a fun, but packed show, so get here early. You are going to be kicking yourself Sunday morning if you miss this one.

Son de los Diablos

Weather should be summery and perfect for the Afro-Peruvian Dance Troupe on Friday (May 29th) at 6 pm.

May 29th, (Friday) 6pm
Devil’s Dance Parade in White Center followed by concert at Café Rozella
7pm   9434 Delridge Way SW
Seattle, WA 98106 (206) 763-5805

AFrican ConeXion Project, Café Rozella and 4Culture Specific Site.

Son de los Diablos Parade

The Parade Route for the Devil’s Dance has been announced: The Parade starts at El Paisano, on the corner of 15^th Ave. SW and Roxbury, proceeds to La Fondita at SW 98^th St., and then to Full Tilt Ice Cream at 9629 16th Avenue SW then to the Triangle at Roxbury/16th Ave. SW/Delridge and then from there to Cafe Rozella for a Muscial Performance. (Choreography by Monica Rojas, Ph.D.)

Diablo Dancing to Afro-Peruvian Rythms.

Afro-Peruvian Dance and Music:  El Son De Los Diablos
NPR States, “Afro-Peruvian music has complex, sensual rhythms. Its instrumentation is spare, originally just nylon-string guitar, bass and a wooden box called cajon. When it started getting outside attention in the mid-’90s, it felt new. The music’s lean architecture and introspective mood differentiated it from the likes of salsa and merengue.”
“The people of the so-called Black Pacific were so far removed from their African origins that the creators of Afro-Peruvian music couldn’t rely much on cultural memory. So they created instruments, rhythms and a compelling musical aesthetic that was largely a product of their imaginations. The pride of Afro-Peruvian music is the lando, an elegant dance with intertwined rhythms and a seductive undertow.”
El Son De Los Diablos will feature the musicians behind Grammy Award Winner Susana Baca.  Truly a unique experience of a hot new trend in Latin American Music.
Admission is FREE

Diablos do choreagraphed dance movements

AFRO PERUVIAN PERCUSSION; The Cajon

African slaves were brought over to the Spanish colony of Peru in the 16th century to work mainly in the gold and silver mines of the high Andes. However their physique was not suited to the high altitude and they died by the hundreds. Their Spanish or Creole (descendants of European settlers in Latin America) masters sent them to work in the milder climate of the desert coast, where they laboured in the large haciendas; private farms. It was in their small huts, on the packed dirt floors of the courtyards overrun with animals and in the fields of cane and sugar cane that Afro-Peruvian music, song and dance were born.

The beginnings of slavery in Peru were different from the rest of the Americas. Although in Brazil or Central and North American countries it was common to import large groups of slaves from the same African tribe, only small and geographically dispersed ethnic groups were brought to Peru. This was meant to discourage rebel movements around the tribal chiefs, and as such, made almost impossible the preservation of communal traditions. Without a common language or tribal authority to remind them of their roots, Peruvian slaves were progressively integrated into the culture and language of their new country. As a result Afro-Peruvian music is a unique blend of Spanish, Andean and African traditions.

Centuries old, this music started to gain recognition in Peru about 40 years ago and it has became popular in the last 25 years. It was born in the coastal barrios (suburbs) and towns and was reconstructed and resurrected thanks to the work of a few artists and historians. Because the Africans were forbidden from playing their own instruments, percussion instruments developed out of the simplest household appliances; spoons, kitchen chairs, table tops, boxes, handclaps, until it reached this century with the creation of the cajon as a specific instrument to play music.

The cajon which is a wooden-box in which the player sits on to play, is thought to have originated in Peru.  The cajon is made out of hardwood with the front cover being of a very fine layer of plywood. The cajon has an open circle cut at the back of the instrument. The player sits and plays two main strokes as well as a few other variations. The main two consist of: the tone of the box which is played with the full palm in the middle of the “head” (this stroke is usually a bass or palm sound on a variety of African derived hand drums found around the world) and the slap which is played on the edge of the “head” of the instrument (this sound also part of the technique used in many hand drums around the world).

Cotito - El cajon

(A big thank you to Latino Cultural Magazine for the photographs.)

May 23rd, (Saturday), 7:30pm,  Afro-Peruvian percussionist Juan Medrano Cotito releases his new CD “La Voz Del Cajon” at  Langston Hughes Performing Arts Center.
$20 including CD.

These events are sponsored by AFrican ConeXion Project, 4Culture and Cafe Rozella.

Dig these cool binister designs by Kim McCarthy.

Kim at work

Once again, it is time for the
White Center for the Arts Open Studio Tour

This coming Saturday, May 16th, 2009 5 PM until 10 PM

Please join us as we present eight artists’ new work.
A wine and cheese event.

White Center for the Arts Building
9639 16th Ave SW
White Center, WA

206-306-6230 for additional information

www.whitecenterforthearts.org

Two more upcoming events to share with you!

Once again, it is time for the White Center for the Arts Open Studio Tour
This coming Saturday, May 16th, 2009 5 PM until 10 PM

Please join us as we present eight artists’ new work.
A wine and cheese event.

White Center for the Arts Building
9639 16th Ave SW
White Center, WA

206-306-6230 for additional information

www.whitecenterforthearts.org

And looking further down the road —

Evergreen High School’s Class of 79
30 year reunion
Saturday, August 8th, 7 pm
Rainier Golf and Country Club
$60 per person

RSVP by July 1st.
email: evergreenclassof79@yahoo.com for details.

Too early to disclose but we have it on good authority that something really great is happening with the former skating rink in White Center.  Details to follow, but it is great news for White Center and for the building.

Trio Lucero Del Norte

Celebrate Cinco de Mayo at Cafe Rozella

Cafe Rozella will host a very special Cinco de Mayo celebration with the music of Trio Lucero del Norte, specializing in Son Huasteca.  The celebration begins at 6 p.m. on Tuesday, May 5th.  Come listen to some authentic Mexican music tinged with an indigenous feel.

Huasteca Region

The region is composed of six Mexican states: Tamaulipas, San Luis Potosí, Querétaro, Hidalgo, Puebla, and Veracruz.

The land known as la Huasteca derives its name from the people that inhabited the area at the time of the conquest, the Huaxtecos. La Huasteca is a multi state region focused at the mouth of the Pánuco River. The region is bounded to the north by the river Soto la Marina in Tamaulipas, to the south by the Cazones River in Veracruz, to the east by the Gulf of Mexico and to the west by the Sierra Madre Oriental crossing through the states of Hidalgo, Puebla and Querétaro in the west.

The distinctive feature of the huasteca region is the music, a style known as huapango or son Huasteco. The terms son huasteco and huapango can be used interchangeably to denote the music of the region, though huapango is the term most popularly used in Mexico.

The huapango is a style of music that is distinguished by the presence of the Trío Huasteco, and the use of the falsetto voice in singing. The Trío Huasteco is made up of three instruments (thus the term trio) – the European derived violin and two guitar variants of local origin – the large guitarra quinta or huapanguera and smaller jarana huasteca.

May 29th, (Friday) 6pm

Devil’s Dance Parade in White Center

followed by concert at Café Rozella

7pm

9434 Delridge Way SW

Seattle, WA 98106 (206) 763-5805

Cafe Rozella brings the hottest trend in Latin Music to White Center

Afro-Peruvian Dance and Music:  El Son De Los Diablos

NPR States:   “Afro-Peruvian music has complex, sensual rhythms. Its instrumentation is spare, originally just nylon-string guitar, bass and a wooden box called cajon. When it started getting outside attention in the mid-’90s, it felt new. The music’s lean architecture and introspective mood differentiated it from the likes of salsa and merengue.”

“Enslaved Africans had to make two long passages to reach Peru, first across the Atlantic, and then over the landmass of South America. The people of the so-called Black Pacific were so far removed from their African origins that the creators of Afro-Peruvian music couldn’t rely much on cultural memory. So they created instruments, rhythms and a compelling musical aesthetic that was largely a product of their imaginations. The pride of Afro-Peruvian music is the lando, an elegant dance with intertwined rhythms and a seductive undertow.”

El Son De Los Diablos will feature the musicians behind Grammy Award Winner Susana Baca.  Truly a unique experience of a hot new trend in Latin American Music.

White Center has an amazing melange of cultures.  Every weekend, you can step back to the Rio Grande Valley and enjoy authentic Tejano music.  This weekend featured the bands La Cima and Banda Kachay.  Pictures courtesy of Greg McCorkle (local artist).

Cafe Rozella will host a very special Cinco de Mayo celebration with the music of Trio Lucero del Norte, specializing in Son Huasteca.  The celebration begins at 6 p.m. on Tuesday, May 5th.  Come listen to some authentice Mexican music tinged with an indigenous feel.

Huasteca Region

The region is composed of six Mexican states: Tamaulipas, San Luis Potosí, Querétaro, Hidalgo, Puebla, and Veracruz.

The land known as la Huasteca derives its name from the people that inhabited the area at the time of the conquest, the Huaxtecos. La Huasteca is a multi state region focused at the mouth of the Pánuco River. The region is bounded to the north by the river Soto la Marina in Tamaulipas, to the south by the Cazones River in Veracruz, to the east by the Gulf of Mexico and to the west by the Sierra Madre Oriental crossing through the states of Hidalgo, Puebla and Querétaro in the west.

The distinctive feature of the huasteca region is the music, a style known as huapango or son Huasteco. The terms son huasteco and huapango can be used interchangeably to denote the music of the region, though huapango is the term most popularly used in Mexico.

The huapango is a style of music that is distinguished by the presence of the Trío Huasteco, and the use of the falsetto voice in singing. The Trío Huasteco is made up of three instruments (thus the term trio) – the European derived violin and two guitar variants of local origin – the large guitarra quinta or huapanguera and smaller jarana huasteca.

It’s become a monthly tradition – and tonight’s your chance to check it out again: The White Center for the Arts open studio tour, 5-10 pm.

You never know who and what you will see in the artist studios adjacent to the old rink – more info here.

Lots of great art in the studio rooms upstairs from the 16th SW entry to the old skating rink .. but this was our favorite … with an invitation to do your own creating.

WHITE CENTER FOOD BANK: Today’s the first of its new monthly Saturdays – third Saturday of each month – for WCFB to be open for clients 11 am-1 pm.

ART STUDIOS OPEN: White Center’s artist community invites you to another open house 5 pm-10 pm — enter from 16th SW, same place you’d use to get to the old skating rink (where it’s another Rat City Rummage NEXT Saturday, by the way).

Damien and his brother Drake have a new band Hoquiam, and they are playing Full Tilt this Saturday with Husbands love your wives, and special guests. The fun starts at 8pm. This will be a packed house, so get there early.